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b. 487-488

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 488

composition: Op. 11, Concerto in E minor, Mvt III

a​​​​​​​1 in FE (→EE,GE1GE2)

a1 in GE3

..

The arbitrary version of GE3 is almost certainly erroneous – such an anticipation of a chord that is to be played shortly with notes of the figuration is typical of Chopin, cf. e.g. bar 279 of this movement of the Concerto, the Etude in C Major, Op. 10 No. 1,   bar 5, the Etude in A Minor, Op. 25 No. 11, bars 8 and 10 or the Ballade in G Minor, Op. 23, bar 63. The a1 note, present in harmonically similar bar 492, does not constitute an argument for a possible wrong insertion of a ​​​​​​​ in the discussed bar, since the melodic context of the preceding figuration is different there.

category imprint: Differences between sources

issues: GE revisions

b. 490

composition: Op. 11, Concerto in E minor, Mvt III

e​​​​​​​2 in FE (→GE) & EE2 (→EE3)

f​​​​​​​2 in EE1

..

The version of EE1 must be a mistake, corrected in EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 490

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 491

composition: Op. 11, Concerto in E minor, Mvt III

..

The cautionary ​​​​​​​ before a1 was added by us.

category imprint: Editorial revisions