EE1
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
compare
  b. 128

2 fingering digits in FE (→EE,GE1GE2)

1 digit in GE3

In FE (→GE1GE2), there are two digits under the first two semiquavers, 1 and 3. The latter may be considered to be a fingering digit or a triplet marking, since in those editions both were engraved in the same font. However, the former seems to be much more likely:

  • placing both digits under subsequent notes, i.e. close to each other, naturally prompts us to interpret them as marks of the same category, which the first digit determines as fingering;
  • Chopin hardly ever marked semiquaver triplets with a digit; he was generally satisfied with them being separated with beams – FE does not contain any such marking in this movement of the Concerto, cf. also, e.g. the 2nd movement of the Concerto from bar 105 or the Etude in G​​​​​​​ Major, Op. 10 No. 5.

Taking into account the above, we interpret the number three as fingering, like it was already done in EE. The absence of the digit in GE3 may be a mistake.

Compare the passage in the sources »

category imprint: Differences between sources

notation: Fingering

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