Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Op. 11, Concerto in E minor, Mvt III
The upper note of the 4th quaver was being proofread in FE (probably from g1 or a1). It was inaccurately implemented – the notehead is placed too high and a fragment of the 3rd ledger line is visible on its left-hand side. However, both GE and EE interpreted it as f
1, which we also consider to be correct. If the changed note was g
1, it is a simple correction of a mistake. However, if it was a1, like in analogous bar 34, we are dealing with a Chopinesque change of the original version, most probably due to a different continuation.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Authentic corrections of FE
notation: Pitch