Issues : Annotations in FEH

b. 98

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FED

Fingering in EE & written into FEH

No fingering in FE (→GE)

..

In the main text, we give the undoubtedly authentic fingering of FED. The fingering of FEH is also probably authentic, especially since it combines with the fingering of FES and FEH written before and after in a more natural way. The compliance of the fingering of FEH with the fingering of EE added by Fontana is noteworthy.

category imprint: Differences between sources

issues: EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH

b. 98

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES & FEH

Fingering in EE

No fingering in FE (→GE)

..

The authenticity of the entry in FEH seems to be highly likely in the light of compliance with the fingering of FES written by Chopin. Fontana's fingering in EE defines a different hand position, being a natural continuation of the fingering written over the two previous notes in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FES , Annotations in FEH

b. 100

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 101-103

composition: Op. 11, Concerto in E minor, Mvt II

..

In FEH, in 4 places sharps reminding the correct pitch of the grace notes are to be seen. The marks, written by a foreign hand, are present before e3 on the 4th beat of bar 101, d3 on the 4th beat of bar 102 and a2 on the 3rd and 4th beats of bar 103.

category imprint: Source & stylistic information

issues: Annotations in teaching copies , Cautionary accidentals , Annotations in FEH

b. 101

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FEH

No teaching fingering

..

The 2nd finger written in FEH for b1 in bar 101 and e1 in bar 103 seems to be obvious. In bar 101, it was probably meant to be a warning of the use of the 3rd finger, symmetrically with the figure in the R.H., in which the 2nd grace note is performed with the 3rd finger.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH