mUltimate Chopin

Op. 11, Concerto in E minor, Mvt II

Text Compare Notes Sources Description

Issues : Annotations in FES

b. 98

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FEH

Fingering written into FES

No teaching fingering
..

In the main text, we include the fingering of FEH, written probably by Chopin and confirmed by the undoubtedly Chopinesque entry in FES.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES , Annotations in FEH

b. 98

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FEH

Fingering written into FES

No teaching fingering in FE (→GE)

Fingering in EE
..

In the main text, we give the more accurately marked fingering of FEH. Its authenticity is confirmed by the digits written in FES, indicating almost certainly the same fingering. The fingering added by Fontana in EE is also compliant with the entries from the pupils' copies in this case.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FES , Annotations in FEH

b. 98

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES & FEH

Fingering in EE

No fingering in FE (→GE)
..

The authenticity of the entry in FEH seems to be highly likely in the light of compliance with the fingering of FES written by Chopin. Fontana's fingering in EE defines a different hand position, being a natural continuation of the fingering written over the two previous notes in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FES , Annotations in FEH

b. 98

composition: Op. 11, Concerto in E minor, Mvt II

..  

category imprint: Differences between sources

issues: Annotations in teaching copies , Cautionary accidentals , Annotations in FES

b. 103

composition: Op. 11, Concerto in E minor, Mvt II

..

In FE (→EE,GE1→GE2), there is no  restoring b2 in the 2nd group of grace notes and no  restoring f1 in the last group in the L.H. These harmonically patent oversights of Chopin were corrected only in GE3 and, partially, in the pupils' copies: a  was added in FES, a  – in FEH. 

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , Errors in FE , Omissions to cancel alteration , GE revisions , Annotations in FES , Errors repeated in GE , Errors repeated in EE , Annotations in FEH