Issues : EE inaccuracies

b. 546-547

composition: Op. 11, Concerto in E minor, Mvt I

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In FE, the second slur in each of these bars runs from d1 to e1. This inaccuracy almost certainly results from lack of space – due to cramping seven great staves on a page, the space between staves in FE is very small. In GE1 (→GE2), the slur in bar 546 was left unchanged, whereas the one in bar 547 was moved to above the notes; like in the case of the first slur in these bars, the nature of the change (inaccuracy or revision, or perhaps an inaccurate revision) is uncertain. In EE and GE3, the slurs were placed higher, which we include also in the main text. 

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies

b. 648

composition: Op. 11, Concerto in E minor, Mvt I

L.H.  ​​​​​​​in FE (→GE1GE2)

​​​​​​​for both hands in EE

L.H. short accent in GE3

Long accent for both hands suggested by the editors

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According to us, the placement of the  mark, which we interpret as a long accent, is probably inaccurate in FE – admittedly, Chopin would often use a ​​​​​​​ combination, yet both indications would be then written next to each other and on the same level. In this case, the accent was supposedly to concern both parts and not the L.H. only, which is suggested by the notation of FE (→GE). A short accent in GE3 is a result of interpretation of the discussed mark, performed in the light of bar 646.

category imprint: Differences between sources; Editorial revisions

issues: Long accents , Placement of markings , GE revisions , EE inaccuracies