Issues : Annotations in teaching copies
b. 60
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composition: Op. 27 No 2, Nocturne in D♭ major
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The numerals entered into the three teaching copies surely describe one fingering (Chopin's), so we give all of them combined in the main text. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Annotations in GET |
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b. 61
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
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b. 66
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
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b. 70-71
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the main text we give the fingering collected from complementary entries in GET, FED and FES (the entry in FES relates to an analogous fragment in bar 73 – cf. General Editorial Principles, p. 17). The numeral 5 entered in GET over the second semiquaver of bar 71 definitely means the change of fingers on the a flat2 crotchet, and therefore we add a tiny slur next to it. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Annotations in GET |
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b. 71
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composition: Op. 27 No 2, Nocturne in D♭ major
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When read literally, the lower voice slur in A embraces just five semiquavers, up to g flat2, which is probably one of quite many inaccuracies to be found in that part of the manuscript. In GE (and EE) the slur embraces six semiquavers, and in FE it reaches up to the crotchet e flat2, which seems most natural in the light of slurring of analogous motifs of the upper voice. The mark added in FEJ may, but does not necessarily have to, be a slur. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Inaccuracies in GE , Inaccuracies in FE , Inaccurate slurs in A , EE inaccuracies , Authentic corrections of FE , Annotations in FEJ |