FEJ
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
compare
  b. 38

A dot extending the value of the note in A (→GE2)

No dot in GE1 (→FEEE)

A variant written into FEJ

A variant written into GET

The absence from GE1 (→FE>EE) of the dot prolonging b1 is undoubtedly an oversight on the part of the engraver.

The authenticity of the variant written into FEJ is doubtless due to the known origin of that copy. This allows us to approach with more trust the variant visible in GET, which is an extended version of the idea noted down in FEJ. The analysis of the melodic structure of that bar makes us even consider the variant from GET a better version than the one in  FEJ. The outline of the printed version  shows us that Chopin operates here with a variant of the motif of the second main theme of the Noc­turne (bars 10-11); the outline of the supplemented version:  reveals a smartly done earlier return to the melody led in thirds, so characteristic for that motif.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Annotations in teaching copies, Inaccuracies in GE, GE revisions, Annotations in FEJ, Annotations in GET

notation: Pitch

Go to the music

.

Original in: Muzeum Fryderyka Chopina, Warszawa