Page: 
Source: 
p. 14, b. 188-201
p. 1, b. 1-27
p. 2, b. 28-40
p. 3, b. 41-54
p. 4, b. 55-69
p. 5, b. 70-84
p. 6, b. 85-97
p. 7, b. 98-110
p. 8, b. 111-125
p. 9, b. 126-138
p. 10, b. 139-148
p. 11, b. 149-159
p. 12, b. 160-173
p. 13, b. 174-187
p. 14, b. 188-201
p. 15, b. 202-213
p. 16, b. 214-226
p. 17, b. 227-238
p. 18, b. 239-252
p. 19, b. 253-264
p. 20, b. 265-279
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Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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  b. 190

The penultimate R.H. semiquaver in EE is an a1. It is most probably an example of overzealousness of the reviser, who was supposed to detect the overlooked cancellations of alterations, and who did not realise that a1 at the beginning of the 2nd triplet is not an alteration, but a note proper of the reigning key (B major since b. 184), in addition, an element of the chord constituting the harmonic base. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions

notation: Pitch

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3