½A
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 57-59

Slur & dot in A

Dot & slurs in GE1

Dot & slurs in FE

Slurs in EE

Dots in GE2

Slurs & dots suggested by the editors

In the main text, over the pair of chords in bars 57-58 we give the articulation markings from A – a slur and a staccato dot. Just like in bars 54-55, we also suggest adding them in analogous bars 58-59 (and also in the L.H. – see bars 49-59). In GE1 (→FE), the staccato dot was placed – most probably erroneously – over the first and not the second chord of the pair in bars 57-58, whereas in EE it was overlooked. Moreover, the slur over the pair of chords was repeated in GE1 also in bars 58-59, which is, however, probably a result of an erroneous interpretation of the tie of c2. In FE (→EE), both slurs – in bars 57-58 and 58-59 – were moved under the chords, combining the g1-asounds. GE2 arbitrarily repeated in these bars the markings from bars 53-55.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: GE revisions, Authentic corrections of GE

notation: Slurs

Go to the music

.