GE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 40

 in A

 in GE

 in FE (→EE)

According to us, an earlier placement of the  hairpin in GE than in A is a result of carelessness of the engraver of GE1. Reversing the direction of the sign in FE (→EE) is probably a mistake too, however, in this case the sound result can be considered to be at least equal with respect to the original notation of A. In the main text we leave the undoubtedly authentic sign of A, yet the version of FE can be considered a fully-fledged performance variant.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in GE, Sign reversal, Authentic corrections of FE

notation: Articulation, Accents, Hairpins

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