A
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 18

Lines & dots in A & GE2

Only dots in GE1 (→FEEE)

Omission of tenuto dashes over three octaves in GE1 (→FEEE), despite having been consistently carried out both in this bar and analogous bar 86, does not seem to be Chopin's proofreading. According to us, it could have been a result of the engraver's misunderstanding of the combination of three articulation indications: a slur, tenuto marks and staccato dots. A slur actually designates also phrasing, while dots under a slur were generally used by Chopin to mark a lighter and shorter non legato.
It is the only example of the use of tenuto marks by Chopin in a notation dedicated for print (dashes are also present in the Concerto in E minor, Op. 11, mvt. II, bar 47, and Ballade in G minor, Op. 23, bars 194-198, in both places added in a pupil's copy). 

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in GE, GE revisions

notation: Articulation, Accents, Hairpins

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Original in: Biblioteka Narodowa, Warszawa