GE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 135

Crotchet b1 in A & GE2

Quaver b in GE1

Dotted quaver bin FE (→EE)

Assigning the bcrotchet to the top voice, which made a quaver of it, is, according to us, a result of inaccuracy of the engraver of GE1 who either did not understand the notation of A or made his work easier. Adding an extending dot next to the note in FE (→EE) may be an ad hoc correction of an alleged oversight of the dot in the version of GE1. Therefore, in the main text we preserve the version of A as the only undoubtedly authentic. Theoretically, both in the case of the change in GE1 and FE, one cannot entirely exclude a possibility of Chopin's proofreading, yet it seems to be highly unlikely that he would like to change such a minor detail of accompaniment – the difference in the sound with a natural harmonic pedalling is practically imperceptible. GE2 returned the version of A. Similarly in an analogous place in the recapitulation, bar 283.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in GE, FE revisions

notation: Rhythm

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