Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
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Op. 25 No 10, Etude in B minor
The sources include sharps before all a and a
1 notes (except for a
1 in bar 95 in GC, GE and FE and in bar 96 in EE). It seems that in this transitory fragment, preparing the return of the B minor key and, de facto, already maintained in it, both keys – B major and B minor – overlapped in Chopin's mind. Perhaps it also had to do with Chopin's general uncertainty concerning the validity of the last key signature (cf. the note to the Etude in G
minor, No. 6, bars 7-8).
Compare the passage in the sources »
category imprint: Editorial revisions
issues: Cautionary accidentals
notation: Pitch
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