mUltimate Chopin

Op. 26 No 2, Polonaise in E♭ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 6, b. 89-108
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-52
p. 4, b. 53-68
p. 5, b. 69-88
p. 6, b. 89-108
p. 7, b. 109-124
p. 8, b. 125-139
p. 9, b. 140-159
p. 10, b. 160-175
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 94

a in A (probable reading) & FE2 (→EE)

b in A (possible reading→FE1→GE)

It is difficult to clearly state whether in A the last chord in the R.H. includes an element placed on the bottom stave and if it does, which one it is. According to us, a bolder stem next to a possible note is not a deletion, yet blurred ink. Due to the fact that it faces up, the blurred note was probably an a. FE1 printed here b, only the proofreading of FE2 indicated that Chopin thought about a, same as in bar 84. However, the erroneous version of FE1 was adopted in all GE.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: Authentic corrections of FE, Inaccuracies in A

notation: Pitch

Missing markers on sources: EE1, EE2
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