Page: 
Source: 
p. 4, b. 1-28
p. 1
p. 2
p. 3
p. 4, b. 1-28
p. 5, b. 29-52
p. 6, b. 53-64
A - Autograph
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
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Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
Importance
All
Important
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copy link PDF A - Autograph


  b. 21

A more probable interpretation of the slur in A and the slur of FE (→EE)

A less probable interpretation of the slur in  A (→GE)

As the slur in A is drawn with a bold stroke of the pen, in GE it begins on the 1st note of the bar. A comparison with analogous bars 17, 25 and 29, and the analysis of slurring of the entire fragment (bars 17-32) in A makes us conclude that Chopin meant a slur beginning on the 2nd crotchet of the bar. Such a slur can be seen in FE (→EE), which may be due to Chopin's correction.

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category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccurate slurs in A, Authentic corrections of FE

notation: Slurs