mUltimate Chopin

Op. 10 No 9, Etude in F minor

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 51-53

composition: Op. 10 No 9, Etude in F minor

No fingering in AI & A

Fingering in FE (→GE)

EE
..

Chopin added the fingering while proofreading FE (→GE). In EE Fontana completed it in bars 51 and 53. The digit added at the end of bar 51 does not stem from Chopin's indications.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 51-67

composition: Op. 10 No 9, Etude in F minor

..

In AI there are no performance indications (apart from the slur in bar 56 and accents in bars 61 and 63, which we discuss separately) from bar 37 (on this page from bar 51). As a result of this, we do not consider this version as an alternative to the remaining sources and we do not discuss it in detailed notes. 

category imprint: Differences between sources

b. 51-64

composition: Op. 10 No 9, Etude in F minor

No pedalling in AI & A

Pedalling in FE (→GE,EE)
..

All pedalling in these bars was added by Chopin in a proofreading of FE (→GE,EE). See also bars 64-65.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 52

composition: Op. 10 No 9, Etude in F minor

No sign in AI & A (→FE→GE,EE)

 suggested by the editors
..

category imprint: Editorial revisions

b. 52

composition: Op. 10 No 9, Etude in F minor

..

Lack of the  raising d1 to d1 is a patent inaccuracy of the notation of A (→FE→EE3). The sign was added in GE and EE4.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions