EE3
Main text
AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
compare
  b. 58-60

No prolongations in AI

9 quavers in A

5 quavers in FE (→EE)

5 quavers in GE

In A, all g-f combinations in the bottom voice in the R.H. (also in bars 56-57) are precisely emphasised by their separation as combined pairs of quavers and accentuating the first note of each pair (g). This subtlety of notation was only partially reproduced in FE (→EE) – it is only the first and fourth quavers in the bar that were separated. As the accents are also respectively reduced, the whole may be considered to have been changed on purpose. However, not being certain thereof, in the main text we give the version of A.

In FE (→EE) last two separated notes have separate stems instead of a quaver beam. The notation of GE is similarly inaccurate, yet it is only f at the beginning of bar 58 that has a stem (overlooked in GE5). See the note to bars 44-57.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in FE, Errors in GE, GE revisions

notation: Rhythm

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