Issues : EE revisions
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b. 34-36
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composition: Op. 10 No 12, Etude in C minor
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In the main text we give the fingering added by Chopin in a proofreading of FE (→GE). In EE Fontana added it in bar 35 in order to eliminate any possibility of the use of erroneous fingering. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 34
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composition: Op. 10 No 12, Etude in C minor
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The octave in A is the original version, changed by Chopin in a proofreading of FE (→GE,EE). In FE the correction was inaccurately performed – there are no dots extending the added notes, while the category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , GE revisions , Cautionary accidentals , Rhythmic errors , Authentic corrections of FE |
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b. 37-39
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composition: Op. 10 No 12, Etude in C minor
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In the main text we give the fingering added by Chopin in a proofreading of FE (→GE). In EE Fontana completed it with digits which naturally stem from Chopin's indications. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 37-39
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composition: Op. 10 No 12, Etude in C minor
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In EE whole-bar-long slurs over the part of the L.H. were added in bars 37 and 39. Nothing indicates a possible authenticity of this addition, although leaving the figurations in bars 37-40 without slurs must be considered as an inaccuracy of Chopin's notation. category imprint: Differences between sources issues: EE revisions |
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b. 38
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composition: Op. 10 No 12, Etude in C minor
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The clear long accent in A was omitted in FE (→GE). It is not certain how it appeared in EE, as guessing such a detail by the reviser seems to be an incredibly lucky coincidence. category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in FE |
(cautionary) was placed at the pitch of b
