Pitch
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b. 47-50
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composition: Op. 10 No 1, Etude in C major
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The version of CLI is undoubtedly earlier and less developed. In FE (→EE), and partially also in GE1 and GE2 (→GE3), the octaves in the L.H. are written in an abbreviated form. category imprint: Differences between sources issues: Accompaniment changes , Abbreviated octaves' notation |
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b. 47-48
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composition: Op. 10 No 1, Etude in C major
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In CLI and FE (→GE1→GE2→GE3,→EE) there is no category imprint: Source & stylistic information issues: Accidentals in different octaves , GE revisions |
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b. 48
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composition: Op. 10 No 1, Etude in C major
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According to us, g category imprint: Differences between sources issues: Errors of CLI |
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b. 53
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composition: Op. 10 No 1, Etude in C major
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The b3 note on the last semiquaver in CLI is probably the original version of this place. The same note in EE may be a result of the editorial edition. However, in both cases errors cannot be entirely excluded. Cf. bar 5. category imprint: Differences between sources issues: EE revisions , Errors in EE , Main-line changes , Errors of CLI |
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b. 54-66
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composition: Op. 10 No 1, Etude in C major
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In the sources there is a number of discrepancies in the notation of accidentals. They result from unnamed and changing over the time rules concerning the accidentals' validity and they do not influence the interpretation of the text. The layout of the accidentals adopted in the main text is present in GE4 (→GE5). category imprint: Source & stylistic information issues: EE revisions , Accidentals in different octaves , GE revisions |
in the last group of semiquavers in bar 47 and in the second one in bar 48. It is a result of other rules on accidentals than the ones adopted by us in this kind of situations.
