Page: 
Source: 
p. 4, b. 29-38
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
Main text
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Differences
No differences
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 31

In CLI and Ap the 7th and 15th semiquavers are written as a1. At the same time, the notation of Ap is faultless, whereas in CLI there is no  returning a1 on the 4th beat of the bar. The latter also appears in FEcor, in which Chopin added the , yet only before the last note. It was moved to the correct position only in a later proofreading of FE (→EE2EE3), which, eventually, displays an entirely correct text.
In GE and EE4 further revisions concerning this section (from the 7th semiquaver to the end of the bar) were performed, adding or removing cautionary accidentals. The modifications do not change the meaning of the text, they only influence its transparency.  

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category imprint: Interpretations within context; Differences between sources

issues: EE revisions, GE revisions, Enharmonic corrections, Authentic corrections of FE

notation: Pitch

Missing markers on sources: GE1