Issues : No initial dynamic marking
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b. 1
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composition: Op. 29, Impromptu in A♭ major
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In A Chopin deleted the abbreviated performance indication m.v. (= mezza voce) category imprint: Corrections & alterations issues: No initial dynamic marking , Deletions in A |
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b. 1
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composition: Op. 43, Tarantella
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In A and GE there are no dynamic markings at the beginning of the piece. In FC3 (→FE →IE) category imprint: Interpretations within context; Differences between sources issues: No initial dynamic marking |
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b. 1
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composition: Op. 10 No 11, Etude in E♭ major
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In the version for publication the dynamics of the Etude remains undefined until bar 26. Although Chopin could have accepted this state of affairs, it seems right to give the hint written in A (in a variant form) in the main text. category imprint: Differences between sources issues: Inaccuracies in FE , No initial dynamic marking |
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b. 1-15
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composition: Op. 10 No 5, Etude in G♭ major
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All dynamic markings in bars 1-3, 5-6, 9-11 and 13-15 were added by Chopin in a proofreading of FE (→GE,EE). At the same time, it can be assumed that it was a change of the dynamic concept and not its clarification, which is proved by the parallel change of leggierissimo to brillante in bar 1 and reduction of the number of notes in the chords in bar 2 and analog. category imprint: Differences between sources; Corrections & alterations issues: No initial dynamic marking , Authentic corrections of FE |
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b. 1
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composition: Op. 10 No 8, Etude in F major
category imprint: Differences between sources issues: No initial dynamic marking , Authentic corrections of FE |
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