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Issues : Errors repeated in FE
b. 1
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composition: Op. 21, Concerto in F minor, Mvt I
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Change of the time signature from category imprint: Differences between sources issues: Errors in GE , 4/4 or 2/2 , Errors repeated in FE , Errors repeated in EE |
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b. 1-4
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In the figurations featuring the interval of an octave, Chopin would often be satisfied with an accidental placed only next to the first note constituting that interval (cf., e.g. the Etude in A category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 3-4
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composition: Op. 28 No. 8, Prelude in F♯ minor
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As was the case in the R.H. part, in A Chopin omits accidentals next to the quavers ending the four-note L.H. figures if they fall an octave lower than one of the preceding semiquavers. In the discussed bars, such a notation was repeated without changes in FC and FE1. Both necessary naturals – before g in b. 3 and f in b. 4 – were added in EE and GE2, whereas in the remaining editions only one natural was added, in GE1 in b. 3, while in FE2 in b. 4. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE |
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b. 3
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composition: Op. 28 No. 22, Prelude in G minor
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In A (→FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A , Fontana's revisions , Errors repeated in FE |
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b. 3-11
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composition: Op. 28 No. 19, Prelude in E♭ major
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In A (→FC,FE), there are no naturals raising b category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |