



Issues : Corrections in A
b. 248
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composition: Op. 23, Ballade in G minor
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In A one can see a deleted category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 248
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A one can see traces of removal (erasure) of the slurs combining each of the grace notes with the respective main notes. Perhaps Chopin did not want to suggest an unisono performance of this bar (with tenth leaps in both hands), as he allowed for the possibility of playing the e category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 248
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The arched line visible in A, going through to the next bar, seems to continue the bottom arm of the category imprint: Graphic ambiguousness; Differences between sources; Source & stylistic information issues: Inaccuracies in GE , Corrections in A |
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b. 255-256
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composition: Op. 21, Concerto in F minor, Mvt I
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In GE1 (→FE→EE) the slur is broken between the bars, in spite of the clearly combined slurs of A. category imprint: Differences between sources issues: Corrections in A , GE revisions |
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b. 255-256
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composition: Op. 21, Concerto in F minor, Mvt I
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In Morch Chopin added a tremolo of timpani together with dynamic indications. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |