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Issues : Accompaniment changes

b. 4

composition: Op. 63 No. 2, Mazurka in F minor

c1 in chord in As, contextual interpretation

d1 in last chord in FE (→GE,EE)
..

In As, Chopin marked the 3rd L.H. crotchet as a repetition of the previous one, which gives a-c1-f1. In the published version, Chopin slightly varied the harmonic progression at this passage.

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes

b. 5

composition: Op. 27 No 2, Nocturne in D♭ major

g in GE (→FE→EE)

a in A
..

The last note of A (a), probably erroneous, was corrected to g flat in GE (→FE→EE).

category imprint: Differences between sources; Corrections & alterations

issues: Errors of A , Accompaniment changes , Authentic corrections of GE

b. 5

composition: Op. 24 No. 2, Mazurka in C major

f1 in A (→GE)

e1 in FE (→EE)
..

When proofing FE, Chopin changed the top note of the first chord in the L.H. from f1 to e1. This is the first change of the accompaniment in the course of this Mazurka (cf. bar 89, and also for instance bar 7 and analog. or bar 57).

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Authentic corrections of FE

b. 5

composition: WN 37, Lento con gran espressione

..

In A1 one can see that the 6th quaver was initially an f, like in b. 13 and 46.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Accompaniment changes

b. 5

composition: Op. 28 No. 15, Prelude in D♭ major

..

In A the penultimate quaver in the bar was initially a d1-f1 third, like in b. 1. The same applies to b. 24.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Accompaniment changes