Issues : Main-line changes
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b. 10
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the last quaver was probably added later, while the irregular group marking was changed from 9 to 10. category imprint: Corrections & alterations issues: Corrections in A , Main-line changes |
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b. 11
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composition: Op. 2, Variation IV, primitive version
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The g3 note featured in AsI is compliant with g3 in bar 15, which is a counterpart of bar 11 in the repetition of this four-bar phrase. The idea of diversifying the melodic line here (introduced in A) was then also used in the final version of this variation. category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
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b. 12
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composition: Op. 24 No. 3, Mazurka in A♭ major
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A distinct difference in notation is barely perceptible with the authentic pedalling.
Elements crossed out in A show the following abandoned version of the first ending: category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Accompaniment changes , Main-line changes |
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b. 12
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composition: WN 17, Polonaise in B♭ major
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Versions of JC and EF differ only in the presence or lack of the slur and the tie. In the main text we adopt the later melodically enhanced version of PE. The internal division of the tie is probably an arbitrary decision of the editor, as Chopin would never use such a notation. category imprint: Differences between sources issues: Main-line changes |
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b. 12
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composition: Op. 28 No. 4, Prelude in E minor
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As contains an earlier version, in which both parts of the Prelude were slightly more distinctly separated. category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
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