Issues : Annotations in FEH
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b. 473-475
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composition: Op. 11, Concerto in E minor, Mvt III
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We include two 'ones' written in FEH in bars 473 and 475, perhaps by Chopin, in the main text. The remaining digits in this section, added most probably by the pupil, are discussed in a separate note. category imprint: Differences between sources |
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b. 477
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we give a fingering made of complementary teaching entries, FED and FEH. Fontana gave an identical fingering in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH |
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b. 481
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, there are no accidentals in the L.H. part, which, considering d3 in the R.H., is a patent mistake. The missing naturals were added both in GE and EE. A natural before the 1st quaver was added also in FEH. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Last key signature sign , Annotations in FEH |
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b. 486
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composition: Op. 11, Concerto in E minor, Mvt III
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In the L.H. part, FE has only 2 naturals: before c at the beginning of the bar and before g in the 2nd quaver. The missing naturals were added both in GE and EE. A natural before the 3rd quaver was added also in FED and FEH. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Annotations in FEH |
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b. 486-487
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
