Issues : Annotations in FEH
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b. 456-457
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingering written in FEH is undoubtedly the most natural and rather obvious explanation of the printed Chopinesque indication. Therefore, both the detailed fingering of almost each note in bar 456 and repetition of those indications in the next, identical figure are conspicuous. category imprint: Differences between sources |
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b. 458-460
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana's fingering and entries in FEH in bars 458 and 460 are astonishingly similar – the only difference is that one digit written in FEH is missing in EE. However, it does not increase the likelihood of a Chopinesque origin of those indications, since in both bars the fingering naturally stems from the passage structure and hand position determined by the previous figure. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 459-461
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composition: Op. 11, Concerto in E minor, Mvt I
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In subsequent passages, Fontana's fingering resembles the scheme indicated by Chopin in bar 457. The indications written in FEH are of the same nature. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 460-461
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 461-462
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
