Issues : Abbreviated notation of A
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b. 132-136
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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Originally in A bars 132 and 136 were marked in an abbreviated manner as repetitions of bars 131 and 135. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Abbreviated notation of A |
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b. 133-147
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composition: Op. 43, Tarantella
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In A and FC3 bars 133-147 are not written out and are replaced with numbers 1-16, which in fact means a repetition of bars 85-99 just like in corresponding bars 100-115. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 137-139
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composition: Op. 2, Variations, complete
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In these bars, in AsI the L.H. part is marked in an abridged manner with the word unisono, written in each bar. There is a similar situation further on, until the end of this variation (b. 167). category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 139-140
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composition: Op. 23, Ballade in G minor
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In A, the parts of both hands in b. 139 and the R.H. part in b. 140 are marked in an abridged manner with •/• signs. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 140-159
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In A almost the entire reprise (bars 105-171) is written in an abbreviated manner, in the form of empty, numerated bars, corresponding to bars 1-67. category imprint: Source & stylistic information issues: Abbreviated notation of A |