Issues : Abbreviated notation of A
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b. 98-128
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composition: Op. 64 No 2, Waltz in C♯ minor
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The bars are not written out in any of the manuscripts. In As and AI the notation ends in bar 97, while in As the return to bar 34 is implicit, whereas in AI it is marked as Dal Segno al fine. In A, the next bars are marked with subsequent numerals from 2 to 31, which corresponds to bars 34-63 and bar 64 is written out entirely, probably to facilitate orientation in the abbreviated notation – the continuation of the Waltz is also written in an abbreviated manner. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 99-114
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the majority of the semiquavers in bars 99-102 and 111-114 is written in an abbreviated manner as minims with tremolandos. It applies to the first 8 semiquavers in bars 100, 102, 112 and 114, entire bars 101 and 113 and the last 8 semiquavers in bar 111. In FE (→EE,GE1→GE2), all abbreviations were explained (like in our system). In GE3, the abbreviated notation was re-introduced in the same places as in Atut and additionally on the 2nd and 3rd beats of bar 99. category imprint: Differences between sources issues: GE revisions , Abbreviated notation of A |
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b. 100-115
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composition: Op. 43, Tarantella
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In A and FC3 bars 100-115 are marked 1-16 as the repetition of bars 84-99. In A the upper voice is notated (marked) in b. 100, whereas in FC3 the abbreviation starts in b. 101 marked as 2. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 105-108
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In A almost the entire reprise (bars 105-171) is written in an abbreviated manner, in the form of empty numerated bars, corresponding to bars 1-67. Moreover, an additional explanation for the engraver is given: "bars counted from the beginning" [on compte les mesures du commencement]. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 109-124
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In A almost the entire reprise (bars 105-171) is written in an abbreviated manner, in the form of empty numerated bars, corresponding to bars 1-67. category imprint: Source & stylistic information issues: Abbreviated notation of A |