Issues : Abbreviated notation of A
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b. 100-115
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composition: Op. 43, Tarantella
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In A and FC3 bars 100-115 are marked 1-16 as the repetition of bars 84-99. In A the upper voice is notated (marked) in b. 100, whereas in FC3 the abbreviation starts in b. 101 marked as 2. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 105-108
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In A almost the entire reprise (bars 105-171) is written in an abbreviated manner, in the form of empty numerated bars, corresponding to bars 1-67. Moreover, an additional explanation for the engraver is given: "bars counted from the beginning" [on compte les mesures du commencement]. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 109-124
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In A almost the entire reprise (bars 105-171) is written in an abbreviated manner, in the form of empty numerated bars, corresponding to bars 1-67. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 111-123
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composition: Op. 64 No 3, Waltz in A♭ major
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In A the bars are written in an abbreviated manner in the form of numbered bars, corresponding to bars 3-15, which are supposed to be repeated here. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 119-120
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In GC – certainly on the basis of [A] – the bars are written as a repetition of bar 118. category imprint: Source & stylistic information issues: Abbreviated notation of A |