Issues : Inaccuracies in FE
b. 653
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composition: Op. 11, Concerto in E minor, Mvt I
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FE overlooked the lowering e2 to e2. The accidental was added in the remaining editions. All editions except GE3 include an unnecessarily repeated (cautionary?) before the last semiquaver. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Cautionary accidentals |
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b. 655
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there is no raising g2 to g2, which was completed in GE and EE. FE (→EE,GE1→GE2) has an unnecessary before g before the last crotchet in the L.H. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Cautionary accidentals |
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b. 656
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composition: Op. 11, Concerto in E minor, Mvt I
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In the R.H. part, there are no accidentals in the 2nd half of the bar in FE. The necessary sharps were added in GE and EE (in EE1, only before the 7th semiquaver). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 708
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the indication entered by Chopin into FC (→GE). The dashes marking the range of cresc. are most probably a mistake of the engraver of FE (→EE), who led them to the end of the page instead of to the end of the phrase. category imprint: Differences between sources issues: Inaccuracies in FE , Authentic corrections of FE , Authentic corrections of FC |
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b. 725-731
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composition: Op. 31, Scherzo in B♭ minor
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The missing dashes marking the range of cresc. are an inaccuracy of FE (→EE) and GE1. Omission of such dashes is a quite frequent discretion of Chopinesque first editions. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |