Page: 
Source: 
p. 14, b. 566-604
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
GC - Gutmann's copy
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Graphic ambiguousness
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Pitch
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Articulation, Accents, Hairpins
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GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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copy link PDF GC - Gutmann's copy


  b. 581-588

8 short accents in EE, GE and probably in GC

Possible long accents in GC

7 long accents in FE

Accents in these bars may be interpreted as long (especially in FE, and probably in GC) or short (EE and GE, more probbale in GC). For the main text we adopt short accents because of the notation including rests at the end if each bar - if Chopin wanted to suggest longer sounds, he should have written crotchets. As and additional argument to support this view, we see that in FE in bars 613-616, repeating bars 581-584, there are short accents. In FE there is no accent in 588, which is obvious inaccuracy.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, Inaccuracies in FE

notation: Articulation, Accents, Hairpins