Page: 
Source: 
p. 3, b. 1-46
p. 1
p. 2
p. 3, b. 1-46
p. 4, b. 47-90
p. 5, b. 91-138
p. 6, b. 139-186
p. 7, b. 187-242
p. 8, b. 243-283
p. 9, b. 284-335
p. 10, b. 336-409
p. 11, b. 410-476
p. 12, b. 477-520
p. 13, b. 521-564
p. 14, b. 565-604
p. 15, b. 605-649
p. 16
GC - Gutmann's copy
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF GC - Gutmann's copy


  b. 24-26

Three short accents in EE

Two accents in GC (→GE)

Three long accents in FE

As we not sure about Chopin's notation, for our main text we adopt the version that combines the most certain elements from various sources: three accents occur in EE and FE, and short accents in EE and GC (→GE). The omission of the accent in bar 25 in GC (→GE) is probably accidental.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Long accents, Inaccuracies in GC

notation: Articulation, Accents, Hairpins