Page: 
Source: 
p. 2, b. 33-64
p. 1, b. 1-32
p. 2, b. 33-64
A - Autograph
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
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copy link PDF A - Autograph


  b. 59

A probable long accent in A

A possible short accent in A (→GEFEEE)

Accent in FED  (possible reading)

Accent in FES (possible reading)

The editors' proposition

It is not certain what type of accent Chopin had in mind when writing A. Comparison with analogous bars 11 and 51 speaks in favour of a long accent. GE (→FEEE) all have the short accent. Doubts also appear when we examine the versions of FED and FES, where we cannot be sure whether the accent is still valid for the fragmented melody and if so, whether it should be linked with the note f2 or with the 3rd beat.

 

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category imprint: Differences between sources

issues: Long accents

notation: Articulation, Accents, Hairpins

Missing markers on sources: GE1, A, GE2, GE3, FE1, FED, FES, EE1, EE3