mUltimate Chopin

Op. 24 No. 2, Mazurka in C major

Text Compare Notes Sources Description
Page: 
Source: 
p. 4, b. 89-120
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
EE2 - Second impression of EE1
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF EE2 - Second impression of EE1

  b. 97

No indication in A (→GE→FE→EE1→EE2)

in EE3

EE3 has più added in bar 97, probably by analogy to bars 13 and 45. In our opinion, the absence of that indication cannot be considered Chopin's oversight in this particular case, especially that  A  has visible traces of removal of an element of notation there; therefore we do not include the addition of EE3 in our main text. 

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in EE

notation: Verbal indications