The semiquavers ending the mostly six-note motifs encompassed with slurs in bars 321-322 and 324-325 (and in bars 327-328 as well) were provided with staccato dots by Chopin. The wedges with which they were replaced in the editions resulted from the unifying revision of the engraver of GE1. In the remaining editions, the wedges were repeated after GE1, whereby in EE and FESB some marks were overlooked – in EE the first one in bar 325, while in FESB all in bar 321 and 325 (and in bar 327 too) and the third one in bar 322. We do not consider these inaccurate versions to be independent variants.
See b. 271-272
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions, Wedges
notation: Articulation, Accents, Hairpins