mUltimate Chopin

Op. 24 No. 2, Mazurka in C major

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-28
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-120
GE3 - Revised impression of GE2
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Revised impression of GE2
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF GE3 - Revised impression of GE2

  b. 8-10

No staccato sign in A (→GE1→FE→EE)

A dot in GE2 (→GE3)

The editors' suggestion

 

In bars 8 and 10 in A (→GE1→FE→EE), staccato signs over the crotchet on the 2nd beat are missing. Clear wedges in analogous bars 12, 44, 90, 94 and 96, and also evident staccato signs in bars 6 and 92, point to Chopin's probable oversight. In GE2 (→GE3), the staccato signs were added in both bars, in the form of dots.

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category imprint: Interpretations within context; Differences between sources

issues:

notation: Articulation, Accents, Hairpins