mUltimate Chopin

Op. 27 No 1, Nocturne in C# minor

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Page: 
Source: 
p. 4, b. 49-70
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-48
p. 4, b. 49-70
p. 5, b. 71-88
p. 6, b. 89-101
FE1 - First French Edition
Main text
GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
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GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
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copy link PDF FE1 - First French Edition

  b. 49

GE (→FE→EE): semiquaver after the last note of the triplet

Notation in keeping with the usual Chopin's understanding of such figures

In bar 49 in GE (→FE→EE) the semiquaver of the double dotted rhythm in the right hand part was moved beyond the third note of the second triplet in the accompaniment. This inauthentic notation, misleading for the performer, was also used in bars 37-42 and 44-45.
 
See the chapter devoted to that topic in: Jan Ekier, Introduction to the National Edition, Editorial Issues.
 

See b. 37-45

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: GE revisions, Dotted rhythms and triplets

notation: Rhythm