mUltimate Chopin

Op. 50 No. 3, Mazurka in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 6, b. 163-192
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
AI - Working autograph
Main text
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
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Differences
No differences
AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
Importance
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Important
Main
Undo Clear
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copy link PDF AI - Working autograph

  b. 191-192

2 staccato dots in AI

3 dots in AF (→FE→EE)

5 dots in GE1

6 dots in GE2

The differences in the number of staccato dots do not entail a different performance, since in such a context marks over the R.H. also concern the L.H., while a missing dot over (AI) or under (GE1) a semiquaver is an inaccuracy of notation. In the main text we give the notation of GE2, which is consistent with contemporary editorial practices. 

Compare the passage in the sources »

category imprint: Differences between sources

issues:

notation: Articulation, Accents, Hairpins

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1
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