Page: 
Source: 
p. 2, b. 1-34
p. 1
p. 2, b. 1-34
p. 3, b. 35-52
p. 4, b. 53-73
p. 5, b. 74-92
p. 6, b. 93-104
p. 7, b. 105-114
p. 8, b. 115-126
FE1 - First French edition
Main text
FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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Differences
No differences
FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 20

Short accent in FE (→GE,EE)

Long accent suggested by the editors

A long, locally topmost note is a typical place for a long accent, a mark Chopin would use most often. Therefore, supposing an inaccurate reproduction of the notation by the engraver of FE, in the main text we suggest a long accent.

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category imprint: Editorial revisions

issues: Long accents

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FES, FED, FEJ, FEH, GE1, GE2, GE3, EE3, EE1, EE2, FEFo, GE2a