Page: 
Source: 
p. 2, b. 1-7
p. 1
p. 2, b. 1-7
p. 3, b. 8-16
p. 4, b. 17-25
p. 5, b. 26-33
p. 6, b. 34-40
p. 7, b. 41-47
p. 8, b. 48-56
p. 9, b. 57-65
p. 10, b. 66-74
p. 11, b. 75-82
p. 12, b. 83-88
p. 13, b. 89-94
p. 14, b. 95-100
p. 15, b. 101-106
p. 16, b. 107-112
p. 17, b. 113-118
p. 18, b. 119-124
p. 19, b. 125-130
p. 20, b. 131-137
p. 21, b. 138-145
p. 22, b. 146-152
p. 23, b. 153-159
p. 24, b. 160-166
p. 25, b. 167-173
p. 26, b. 174-180
p. 27, b. 181-186
p. 28, b. 187-192
p. 29, b. 193-199
p. 30, b. 200-205
p. 31, b. 206-212
p. 32, b. 213-218
p. 33, b. 219-224
p. 34, b. 225-230
p. 35, b. 231-236
p. 36, b. 237-242
p. 37, b. 243-248
p. 38, b. 249-254
p. 39, b. 255-260
p. 40, b. 261-266
p. 41, b. 267-272
p. 42, b. 273-278
p. 43, b. 279-284
p. 44, b. 285-290
p. 45, b. 291-298
p. 46, b. 299-305
p. 47, b. 306-314
p. 48, b. 315-321
p. 49, b. 322-328
p. 50, b. 329-336
p. 51, b. 337-345
p. 52, b. 346-353
p. 53, b. 354-360
p. 54, b. 361-368
p. 55, b. 369-376
p. 56, b. 377-382
p. 57, b. 383-389
p. 58, b. 390-398
p. 59, b. 399-407
p. 60, b. 408-414
p. 61, b. 415-420
p. 62, b. 421-426
p. 63, b. 427-432
p. 64, b. 433-438
p. 65, b. 439-444
p. 66, b. 445-450
p. 67, b. 451-456
p. 68, b. 457-462
p. 69, b. 463-468
p. 70, b. 469-474
p. 71, b. 475-480
p. 72, b. 481-486
p. 73, b. 487-493
p. 74, b. 494-499
p. 75, b. 500-505
p. 76, b. 506-510
p. 77, b. 511-514
p. 78
A - Autograph of the piano part
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
Prezentacja
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copy link PDF A - Autograph of the piano part


  b. 1

In A the  raising e2 to eis absent. It is difficult to explain this oversight other than by haste. The mistake was corrected already in GE1 (→FEEE,→GE2). In analogous bar 325 a correct sign is present in all sources.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors of A, Authentic corrections of GE

notation: Pitch

Missing markers on sources: A, Morch, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3