mUltimate Chopin

Page:

Source:

p. 2, b. 1-32

p. 1

p. 2, b. 1-32

p. 3, b. 33-86

p. 4, b. 87-119

p. 5, b. 120-168

p. 6, b. 169-206

p. 7, b. 207-236

p. 8, b. 237-269

p. 9, b. 270-310

p. 10, b. 311-350

p. 11, b. 351-391

p. 12, b. 392-429

p. 13, b. 430-457

p. 14, b. 458-482

p. 15, b. 483-514

p. 16

GE2 - Second German edition

Main text

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Importance

Undo Clear

image transcript edited text

Prezentacja

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copy link PDF GE2 - Second German edition

b. 16

Octave in A & GE2

Only f in GE1 (→FE→EE)

Omitting the F note at the beginning of the bar in GE1 (→FE→EE), representing the cello part, is certainly an oversight of the engraver.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in GE, GE revisions

notation: Pitch

Missing markers on sources: A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3

Complete ➔

Op. 21, Concerto in F minor, Mvt III