Page: 
Source: 
p. 3, b. 65-96
p. 1, b. 1-32
p. 2, b. 33-64
p. 3, b. 65-96
p. 4, b. 97-128
p. 5, b. 129-160
p. 6, b. 161-192
GE2op - Second German edition of Op. 64
Main text
As - Autograph sketch
AI - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German Edition
GE1op - First German edition of Op. 64
GE1no2 - First German edition of Waltz No 2
GE2op - Second German edition of Op. 64
GE2no2 - Second German edition of Waltz No 2
GE3op - Corrected impression of GE2op
EE - English Edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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As - Autograph sketch
AI - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German Edition
GE1op - First German edition of Op. 64
GE1no2 - First German edition of Waltz No 2
GE2op - Second German edition of Op. 64
GE2no2 - Second German edition of Waltz No 2
GE3op - Corrected impression of GE2op
EE - English Edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of EEW1
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copy link PDF GE2op - Second German edition of Op. 64


  b. 64-65

Più lento in A (→FEGE1no2)

Più lento in GE1op (→GE2opGE3op), EE & GE2no2

Chopin added the suggestion to change the tempo – like all other performance marks – in A. Visible crossings-out indicate a change of the original idea; however, on the available photograph, one cannot see what was removed. In the main text, we place the indication in bar 65, in accordance with the notation of A (→FEGE1no2). Nevertheless, it is highly likely that such a placement was forced by the layout of A – the end of bar 64 is squeezed at the end of the line, whereas on the above staff, there is the final version (f1) of the third beat of the bar, hence writing even a fragment of an indication in that place was impossible. Therefore, it cannot be excluded that moving the beginning of the indication over the 3rd beat of bar 64, introduced in the majority of editions, complies with the composer's intention. 

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, GE revisions

notation: Verbal indications

Missing markers on sources: A, As, AI, FE1, FED, FES, GE1op, GE2op, GE1no2, EEC, EEW1, EEW2, GE2no2, GE3op