Page: 
Source: 
p. 3, b. 62-94
p. 1, b. 1-30
p. 2, b. 31-61
p. 3, b. 62-94
p. 4, b. 95-124
AI - Autograph I
Main text
As - Autograph sketch
AI - Autograph I
AII - Autograph Caraman
AIII - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Second French Edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edition of Op. 64
GE1Db - First German edition of Waltz No 1
GE2op - Second German edition of Op. 64
GE2Db - Second German edition of Waltz No 1
GE3 - Corrected impression of GE2op
GE3Db - Third German edition of Waltz No 1
GE4Db - Revised impression of GE3Db
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of WaW1
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Corrections & alterations
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Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
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As - Autograph sketch
AI - Autograph I
AII - Autograph Caraman
AIII - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Second French Edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edition of Op. 64
GE1Db - First German edition of Waltz No 1
GE2op - Second German edition of Op. 64
GE2Db - Second German edition of Waltz No 1
GE3 - Corrected impression of GE2op
GE3Db - Third German edition of Waltz No 1
GE4Db - Revised impression of GE3Db
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of WaW1
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Important
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copy link PDF AI - Autograph I


  b. 67

A & c1-g1 in As & AIII

a-c1-g1 in AI

Crotchets a & c1-g1 in AII

Minim a & c1-g1 in A (→FEGE,EE)

In this bar the accompaniment evolved through a few versions. Chopin started from the version of AIII, written in As as the first one. The next one was probably the second entirely different version of As (see bars 62-69), rejected – deleted – still at the stage of writing the sketch. In AI and AII two versions were tested, already very close to the one that was finally accepted in A and editions.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Chopin's hesitations

notation: Pitch

Missing markers on sources: EEC, FE1, FED, FES, As, AII, A, AI, AIII, EEW1, GE1Db, GE1op, GE2Db, GE2op, GE3Db, GE4Db, GE3, EEW2, FE2