Page: 
Source: 
p. 7, b. 141-155
p. 1, b. 1-30
p. 2, b. 31-52
p. 3, b. 53-67
p. 4, b. 68-82
p. 5, b. 83-111
p. 6, b. 112-140
p. 7, b. 141-155
p. 8, b. 156-171
p. 9, b. 172-186
p. 10, b. 187-204
EE1 - First English edition
Main text
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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Graphic ambiguousness
Interpretations within context
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GC - Gutmann's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FE3 - Corrected impression of FE2
FEJ - Jędrzejewicz copy
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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copy link PDF EE1 - First English edition


  b. 155

 in A

in GC (→GE)

in FE

in EE

Long accent suggested by the editors

According to us, beginning the  mark clearly before the minim and placing it on its stem means that it is a long accent, written proportionally to the unexpected length of the note. This is the interpretation we give in the main text. The versions of the remaining sources are attempts at an explicit reproduction of form and meaning of the mark by the copyist and the engravers. However, none of them took into account both elements of notation indicated above, and the size of the mark forced them to interpret it as a  hairpin. 

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category imprint: Differences between sources

issues: Unclear hairpins in A

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, GC, FE1, FE2, FE3, FEJ, FED, FES, EE1, GE1, GE2, GE3