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Source: 
p. 3, b. 36-54
p. 1, b. 1-15
p. 2, b. 16-35
p. 3, b. 36-54
FE1 - First French edition
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
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GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 43

e1 in chord in A

No e1 in FE (→GE,EE)

The lack of e1 in the 2nd L.H. chord is most probably due to difficulties in reading A. In Chopin's autographs, internal chord notes placed on ledger lines are often barely visible. This leads to their presence (or lack of) being hard or even impossible to ascertain. Cf. e.g. Etudes in G Op. 10 No 5, bar 15 or in A Op. 10 No 10, bars 76-77.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in FE, Uncertain notes on ledger lines

notation: Pitch

Missing markers on sources: FE1, A, FE2, FED, EE3, EE4, FEJ, FES, GE1, GE2, GE3, GE4