mUltimate Chopin

Op. 10 No 12, Etude in C minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-17
p. 1, b. 1-17
p. 2, b. 18-34
p. 3, b. 35-49
p. 4, b. 50-65
p. 5, b. 66-84
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF A - Autograph

Original in: Stiftelsen Musikkulturens Främjande, the Nydahl Collection, Stockholm


  b. 5

 in A

No marking in FE (→GE,EE) 

Our variant suggestion

In the main text we suggest a possibility of adding  from A to the dynamic markings of FE (→GE,EE). Lack of any suggestion of emphasising the climax of the chordal motifs in the introduction may be considered here as an inaccuracy of notation.

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Verbal indications

Missing markers on sources: FE1, FE2, FED, FEJ, FES, A, GE1, GE2, GE3, GE4, EE3, EE4
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