Page: 
Source: 
p. 2, b. 26-53
p. 1, b. 1-25
p. 2, b. 26-53
Main text
Main text
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 49-50

No marks in sources

Staccato dots suggested by the editors

In the main text we suggest adding staccato dots also here, since it seems that a possible change to the articulation of the chords would be right only just from bar 51.

Compare the passage in the sources»

category imprint: Editorial revisions

issues:

notation: Articulation, Accents, Hairpins

Missing markers on sources: FC, FE1, FED, FES, GE1, GE2, EE1