b. 24
|
composition: Op. 30 No. 1, Mazurka in C minor category imprint: Differences between sources issues: Inaccuracies in FE |
||||||
b. 24-25
|
composition: Op. 30 No. 1, Mazurka in C minor
..
The slur and staccato dot were most probably added to FC by Chopin (together with the pedal marks in this bar), and we include them as such in the main text. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
||||||
b. 25
|
composition: Op. 30 No. 1, Mazurka in C minor
..
In the main text we add a long accent over the a1 minim after the marks added by Chopin to FC in analogous bars 17, 19 and 27. The reason for this very likely oversight by Chopin could have been the fact that the discussed bar is at the end of a page. category imprint: Editorial revisions |
||||||
b. 25
|
composition: Op. 30 No. 1, Mazurka in C minor
..
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
||||||
b. 26
|
composition: Op. 30 No. 1, Mazurka in C minor
..
As in bar 18, in the main text we give the hairpin entered almost certainly by Chopin into FC. In GE the mark was clearly extended, which can interfere with the performance manner intended by Chopin. category imprint: Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins , Authentic corrections of FC |