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p. 2, b. 13-24
p. 1, b. 1-12
p. 2, b. 13-24
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  b. 18-22

Arpeggios from g1 in AsI

Arpeggios from b1, c2 & b1 in A

As in the initial fragment of this variation – see bars 1 and 5 – the initial version of bars 18 and 22 keeps the position of the arpeggio-like figures, which, combined with the melody semiquavers, results in greater leaps.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes

notation: Pitch

Missing markers on sources: AsI, A